PRESS

“By taking the material away from a more current lens and looking at the subject matter through a historical perspective, it allows the audience to view the situation more objectively, D'Ortenzio said.”

Read about Anna Maria’s play, Perception of Red, here.

Read about Anna Maria’s directing project Turing, from Broadway World here.

“It was DePaul junior Anna Maria D’Ortenzio as Lady Macbeth whose performance defined the show. Often leaving the audience with goosebumps, D’Ortenzio’s stage presence held such palpability, I was certain I could touch it at times.”

Read more about her performance here.

“Despite the challenges of creating a musical with a time and regional divide, the musical came together throughout the pandemic. D’Ortenzio said she felt like she needed to tell the story of Elinor and Lydia, not just to add another piece to her collection of published plays, but to share a story of female empowerment.”

Read about the second staging of The Brink Of Womanhood here.